By Raymond Lotta
The United States in Decline: An research of the advancements in the direction of struggle and Revolution, within the U.S. and all over the world, within the Nineteen Eighties
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Additional info for America in Decline: An Analysis of the Developments Towards War and Revolution in the U.S. and Worldwide, in the 1980s
He is either trying to confuse his readers or else he has adopted some view of life in which violence as such is in fact a healing power, that is, violence as redemptive. The first part, which takes place in the murk and gloom of night (shot by the superb cinematographer Caleb Deschanel), has the feel of a horror movie. As Jesus prays in the garden of Gethsemane, the camera tiptoes around him like a stalker, and John Debney’s score is a high-toned creep show of menacing orchestral undertones and spine-jabbing choral effects.
Gibson, either guilelessly or ingeniously, has exploited the popular appetite for terror and gore for what he and his allies see as a higher end. The means, however, are no different from those used by virtuosos of shock cinema like Quentin Tarantino and Gaspar Noe, who subjected Ms. ” Mr. Gibson is temperamentally a more stolid, less formally adventurous filmmaker, but he is no less a connoisseur of violence, and it will be amusing to see some of the same scolds who condemned Mr. Tarantino’s “Kill Bill: Vol.
By MAUREEN DOWD You should come out of the theater suffused with charity toward your fellow man. But this is a Mel Gibson film, so you come out wanting to kick someone’s teeth in. (Feb. 26, 2004) Do You Recognize This Jesus? By KENNETH L. WOODWARD The evangelical Christians who will flock to “The Passion of the Christ” are in for a shocking refresher in the forgotten basics of Christianity. (Feb. 25, 2004) REACTIONS For One Catholic, ‘Passion’ Skews the Meaning of the Crucifixion By MARY GORDON My problem with “The Passion of the Christ” is that I felt as if I were being continually hit over the head with a two-by-four.